Pank’s story by Hamed Bezani

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A chaotic and charged scene at an underground gay party, exclusively populated by a gang of tall, thin mob hooligans. The room is dimly lit, with strobe lights piercing the smoky air, casting an eerie glow on the punk-inspired and Satanic motifs that adorn the walls. The boys, dressed in a uniform of tight, low-waist blue jeans and black shirts, are a blur of aggressive movement, their spiky hair standing out like a crown of thorns against the shadows. The sudden irruption of the police sends a wave of panic through the crowd, their violent demeanor momentarily forgotten in the face of authority. The camera captures the moment as the hooligans are herded into a detention center, their expressions a mix of defiance and fear. The room they are taken to is starkly lit, a harsh contrast to the party's atmosphere. The two guards, grinning sadistically, hold a head shaver each, their own arousal evident from their erect posture and the way their eyes travel over the captives' bodies. The hooligans are lined up, their wrists bound behind their backs, and the buzzing sound of the shavers joins the cacophony of shouts and laughter. One by one, their heads are shaved to the scalp, their hair falling like a rainstorm of black confetti, leaving their faces stark and vulnerable. The transformation is palpable as each one emerges from the makeshift barber chair, now a bald and disheveled figure, ready to face the taunts and jibes of both the guards and their fellow inmates. The scene is a tableau of power dynamics, fear, and a strange undercurrent of sexual tension, as the baldness serves not only as a symbol of their subjugation but also as an unwelcome unifier in their shared plight.

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